Dave Monaco is not yet 30, but has already been hailed as a “tenor with exquisite natural vocality but impetuous elegance.” ...

For 44 years, Victor DeRenzi has maintained his position at the helm of Sarasota Opera as its Artistic Director. During that ...

The company said that the Oct. 5 and 10, the role of Amelia will be performed by Oksana Dyka. She will replace Valeria Sepe, who was originally announced. Dyka is a Ukrainian soprano who has performed ...

The Cleveland Orchestra announces its 2025–26 digital season which will stream on Adella. For the purposes of this article only classical vocal concerts are included. Franz Welser-Möst leads the ...

The main presentation at this year’s Bayreuth Baroque Festival was a lavish, fully staged production of Francesco Cavalli’s ...

Works & Process presents “Up Until Now Collective’s Fellow Travelers,” by composer Gregory Spears and librettist Greg Pierce. The event will be held on Oct. 19, 2025, and will feature Kevin Newbury, ...

GBH Music has partnered with Boston Lyric Opera and New England Conservatory of Music to explore and demystify opera through the new digital video series, “Getting into Opera.” The video series ...

The National Symphony Orchestra Ireland has named Alexander Shelley as its Principal Conductor. Shelley’s initial tenure will last three seasons, commencing in September 2026. In his first season, ...

The Sept. 25 performance of “Tosca” at the Wiener Staatsoper was interrupted abruptly in Act two. According to reports, after a long first intermission of more than 45 minutes, director Bogdan Roščić ...

The Sofia Opera in Bulgaria was forced to cancel its Sept. 26, 2025, performance after an audience member passed away before the performance. Soprano Maria Jose Siri said, “Tonight we don’t sing ...

Larissa Rosanoff spent seven years in Moscow studying piano at the Gnesin Academy of Music where she began, at the young age ...

The program opened with five songs by Brahms, each showcasing the many colors of Garanča’s voice. The “Liebestreu” op.3, No. 1 brought out the mezzo-soprano’s dark chest voice as she opened the ...