“When we think of historical witches we think of persecuted herbalists, kind white witches, earth mothers — what the Wiccan, New Age-y stuff has grown out of. But what’s not talked about is the dark ...

Dominga Sotomayor’s cinema is one of confined spaces. Her features tend to unfurl in tight, growingly claustrophobic settings. In her 2012 debut Thursday till Sunday, the action took place by and ...

Distribution strategist Peter Broderick, whose articles on microbudget filmmaking were foundational in the early days of this magazine, publishes a weekly newsletter that is a must-read for anyone ...

A 4DX screening offers a host of bells and whistles engineered to make the moviegoing experience less passive. Three motors in every seat work in tandem to shake a participant around violently during ...

Part eulogy for a bygone commercial space, part rigorous investigation of its origins and subsequent representation in popular culture, Alex Ross Perry’s Videoheaven leaves virtually no stone unturned ...

With the 63rd edition of the New York Film Festival kicking off tomorrow (Luca Guadagnino’s After the Hunt is the Opening Night Film), we at Filmmaker offer a list of 20 recommendations, the majority ...

When Padraic McKinley first received The Weight screenplay from producers Nathan and Simon Fields, he loved the atmospheric world it summoned forth. Original screenwriter Matthew Booi, along with Leo ...

Writer-director Eugene Ashe was a successful musician before he started making films, a background evident in every exquisite frame of Sylvie’s Love. Not just because male lead Robert (Nnamdi Asomugha ...

Bahamas International Film Festival, Barbados Independent Film Festival, Barbados Visual Media Film Festival, Belize International Film Festival, Festival Internacional del Nuevo Cine Latinoamerican, ...

Though 1974’s Carrie marked Stephen King’s first published novel, The Long Walks holds the distinction of being the earliest opus penned by the horror author. The story of a contest in which 100 ...

Despite their dissimilar filmographies, I have great affection for both the arthouse friendly A24 and the drive-in exploitation of American International Pictures. That’s why I’m such a sucker for the ...

“To tell you the truth, I was actually quite scared about making a documentary.” It’s a luminous morning in early September and Lucrecia Martel is chewing mate leaves in the restaurant room of a hotel ...