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Some productions are more fun than the sum of their parts. Handel's Admeto, Re di Tessaglia isn't one of his best operas: it doesn't have the melodic or dramatic power of, say, Semele or Alcina. Yet ...

Directly after Alessandro Opera seria Admeto, re di Tessaglia was very tailored to Senesino, Francesca Cuzzoni and Faustina Bordoni. Handel adapted the musical highlights the singers on the advantages ...

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In the event, expectations were confounded. Dörrie’s staging, first seen at the Göttingen Handel festival in June, was harmless. It was the work itself that disappointed. Admeto was written for three ...

The score is wonderfully rich simply in its provision of one fine aria after another, though study (I’m sure) would reveal more in the way of formal balance and inter-relationships. The closely ...

Although it was a huge success in Handel’s lifetime, Admeto has benefited little from the current revival of interest in the composer’s work. This performance, imported from the Göttingen Festival, ...